A wrinkle is a line, not a blemish
A spot can be replaced from one quiet patch. A line crosses changing tone and direction, so one large heal is likely to transplant the wrong plane of the face. This opening uses the same real patch-matched brush, but the working method is a sequence of small presses whose sample rings stay on comparable skin.
The twelve-per-cent texture layer settles the seams without flattening the whole face. It is deliberately below the general skin preset: the job here is to reduce contrast in a line, not to remove evidence that skin has structure.
A restrained sequence
- Brush
- Live, one press per short segment
- Skin texture
- 12%
- Tone evening
- 0%
- Export
- The operation list is replayed at full resolution
Soften a line, at most seventy per cent
For a longer line, choose Smooth (B) and switch the brush to Soften a line. Paint along the line: the band between pore scale and line scale is attenuated by at most seventy per cent at full flow, and the pores on top are written back as they were read, so the line fades and the skin around it still reads as skin. It is labelled soften, never remove.
A face with no expression lines is not a retouched face; it is a different face.
Where to stop
- Do not cross an eyelid, lip edge or nostril with one heal; the sample ring will import the feature it touches.
- Deep expression folds carry shape as well as texture. Removing them entirely changes facial structure, which this tool does not attempt.
- At ordinary viewing size, a line should still exist faintly. If it disappears at 200% zoom, the edit is already stronger than it needs to be.
What people ask
Can it remove wrinkles completely?
What is the difference between the heal brush and Soften a line?
Does softening change skin colour?
Is my photo uploaded?
Continue in the portrait room
- Spots and blemishesOpens with the heal brush in hand and the region already over the face.
- Lighten under-eye shadowLifts the shadow under each eye a third of the way to the cheek, luminance only, texture kept.
- Skin smoothingOpens with the skin layer at 25 per cent, which leaves three-quarters of the texture.
- How far is too farWhere the caps sit, why they are there, and what the distance readout is measuring.
- Why nothing here reshapes a faceThe one exclusion that is a decision rather than a boundary, and the reasoning behind it.



